The pleasurable state of mind between the known and the unknown, between familiarity and exploration, is where creativity flourishes and discoveries are made. How can you cultivate this state of mind and what can it do for you?
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I create art because I love exploring materials, techniques, and ideas. I create to help make sense of my thoughts and emotions. I create as a way to communicate ideas. These drives are not unique to me. In fact, they reflect fundamental human needs. Being sensitive to these needs can have a profound effect on well-being – whether in our organizations or ourselves.
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In a world designed to capture our attention through ever more sophisticated means, perhaps the most revolutionary thing we can do is to decide for ourselves, with intention and care, what to pay attention to and what to ignore. A rational inattention approach can help us do just that.
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When you can’t think yourself out of a problem, it’s time to act. But taking action doesn’t mean that the action has to be big or even that you have to be particularly sure about it. In fact, often the best actions are small experimental ones. This small experiment approach is what I’ve been using to try and break through my creative block.
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My brain is so overloaded these days that it’s affecting my creative work. It’s time for a mental spring cleaning! Over the past week, I’ve been using the KonMari method to tidy up my mind and close out the open cognitive loops of mental clutter.
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Like Jello and cement, once our minds are set they are hard to change. This has certainly been true of my “paint scarcity” mindset in the studio. One alternative to trying to think ourselves into a new mindset is to look to the environment for help. This is just what I did when I set out to shift my paint scarcity mindset by creating a micro-environment of abundance.
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Environment matters. It’s easier to get daily exercise in a city that is designed for walking than one that is designed for driving. It’s easier to eat a healthy diet if that is what’s on the menu. And it’s easier to learn a language in a city that immerses you. Unfortunately, that is not Barcelona. In my ongoing effort to tip to Spanish fluency, I find myself wondering if I can tweak my environment in order to offload some of the learning burden from my own waning willpower.
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Artists communicate not just through art but also about art. We talk about our work. We teach. We care about helping people understand. And yet in our excitement to share everything we know, it is all too easy to share too much. To think about content but not form. And so, like so many well-intentioned communicators, we end up overwhelming or boring our audience. We can do better.
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When it comes to planning, why do we tend to overestimate our abilities and underestimate time and costs? This year, I’m coupling my annual art practice planning with a “premortem” technique. Read on to learn more about cognitive biases, premortems, and my own Christmas Carol inspired process.
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